Panopticon is the brainchild of one Austin Lundr, and has garnered considerable attention and critical acclaim for the projectís raw, atmospheric blend of black metal, crust, post-rock, and Appalachian folk. Aquarius Records have lauded them as ďcrusty weirdo mathy abstruse black metal, a buzzing blasting pounding onslaught of Pagan fury, rife with samples and all manner of strange sonic filigree,Ē and their description isnít far off. Whereas Panopticonís earlier full-length effort On the Subject of Mortality was an internal mediation on death, and Panopticonís 2nd album Collapse anticipated the decline of government infrastructure, Social Disservices lashes out against a broken social services infrastructure that imprisons a silent minority. Social Disservices continues the blackened crust of Panopticonís previous effort but with a bit more darkness this time. Think black noise with a dose of forlorn gaze. This is is Panopticonís darkest record, and their most aggressive. Lundrís bloody roots in social anarchism, survivalism, and crust punk ethos show more clearly than ever, truly exemplifying RABM in its purest, most feral form.